After making the worst fuzz pedal ever and Orange Ya Glad (which was fine, but didn’t add quite as much as I wanted and adds a weird buzz even when you’re not playing on some speakers), I just wanted a normal fuzz pedal. After doing a bit of reading, I found that the Red Llama overdrive pedal (by Way Huge) is a classic, and after watching a few YouTube demos, it seemed good (to be honest, people are crazy about the “different” sounds of various fuzz/distortion/overdrive that various antique/obscure transistors or configurations will give you, but they all sound pretty similar to me, and I suspect people think they’re hearing differences more often than there actually are).
This thing is such a piece of shit.
I was feeling sorry for myself, so I thought I’d “accomplish” something by making a fuzz pedal. I’ve now been doing this stuff for long enough that I have somewhat of a critical mass of materials, so I have everything I need to make a pretty simple circuit without ordering more things (unless it’s using some weird IC or a whalebone or something). So because there’s no time impediment (waiting for a part to arrive, etc), often I’ll think “hey, I’ll just make a quick little pedal”…and then the next thing I know, it’s 4AM, I’m dizzy from solder fumes, and I’ve made a pedal I don’t need that’s in questionable operation because I’m tired and making mistakes… and it’s generally stupid, is what I’m saying.
The first of many. So, so many.
So I’ve been making these guitar pedals. Ostensibly they’re about cool musical effects, but, let’s be honest: if you’ve seen any of them on the internet, it’s at least half about how they look. People make really fucking cool designs on their guitar pedals. One of my favorite guys who makes cool designs is this guy Cody Deschenes, though he actually does a different design method than I’ve done here (which you’ll see in a future post!).